Flinders University

Research output

Research output per year 1959 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 2021 2022 2023 2024 2025

• 450 h-index
• 49701 Article
• 6197 Chapter
• 5305 Paper
• 3696 Review article
• 10266 More
  • 1250 Book
  • 1072 Commissioned report
  • 1070 Letter
  • 1035 Editorial
  • 883 Comment/debate
  • 771 Other
  • 767 Other contribution
  • 667 Meeting Abstract
  • 578 Abstract
  • 568 Conference contribution
  • 437 Anthology
  • 207 Book/Film/Article review
  • 126 Poster
  • 105 Conference article
  • 100 Foreword/postscript
  • 97 Confidential Report
  • 92 Film, Digital Media or Visual Output
  • 86 Entry for encyclopedia/dictionary
  • 64 Patent
  • 58 Literature review
  • 54 Short survey
  • 47 Sound Composition
  • 31 Theatre & Performance
  • 27 Software
  • 24 Preprint
  • 18 Featured article
  • 10 Exhibition
  • 9 Special issue
  • 8 Discussion paper
  • 5 Working paper

Research output per year

Research output per year

Search results

• 2023

  No Rain

  Williams, S. (Composer), Jan 2023

  Research output: Non-textual form › Sound Composition

  • Installation 100%
• 2022

  Cyberlight

  theAdelaidean (Composer), 5 Jan 2022

  Research output: Non-textual form › Sound Composition

  Open Access

• Dreams of Utopia

  theAdelaidean (Composer), 5 Jan 2022

  Research output: Non-textual form › Sound Composition

  Open Access

• Eternity Is

  theAdelaidean (Composer), 17 Jun 2022

  Research output: Non-textual form › Sound Composition

  • Truth 100%
  • Music 100%
  • Composer 100%
  • Poetry 100%
  • Progression 100%

• Inward Vistas

  theAdelaidean (Composer), 1 Mar 2022

  Research output: Non-textual form › Sound Composition

  • Installation 100%
  • Installing 100%

• Lullaby for the Pines

  Williams, S. (Composer), Jul 2022

  Research output: Non-textual form › Sound Composition

  • Pinus 100%

• Luminous

  theadelaidean (Composer), 2022

  Research output: Non-textual form › Sound Composition

  Open Access

• Sleep Texture One

  theAdelaidean (Composer), 21 Mar 2022

  Research output: Non-textual form › Sound Composition

  • Experimental 100%
  • Music 100%

• The Maker's Journey

  the Adelaidean (Composer), 5 Jan 2022

  Research output: Non-textual form › Sound Composition

  Open Access

• The Reinvention of Peace

  theAdelaidean (Composer), 28 Mar 2022

  Research output: Non-textual form › Sound Composition

  • Experimental 100%
  • Electronic music 100%

• Through a Crepuscular Lens

  theAdelaidean (Composer), 23 May 2022

  Research output: Non-textual form › Sound Composition

  • Experimental music 100%
  • Crepuscular 100%

• Tipping Point

  theAdelaidean (Composer), 5 Jan 2022

  Research output: Non-textual form › Sound Composition

  Open Access
• 2021

  Adrift

  theAdelaidean (Composer) & deepspace (Composer), 28 Jan 2021

  Research output: Non-textual form › Sound Composition

  Open Access

  • Soundscape 100%
  • Encounter 100%
  • Ships 100%
  • Travellers 100%
  • Albums 100%

• Antigravité à Deux

  TheAdelaidean (Composer) & Deepspace (Composer), 3 Dec 2021

  Research output: Non-textual form › Sound Composition

  Open Access

  • Names 100%
  • Electronic music 100%
  • electronics 100%

• Antigravity

  TheAdelaidean (Composer) & Deepspace (Composer), 30 Nov 2021

  Research output: Non-textual form › Sound Composition

  Open Access

  • Electric 100%
  • psychic 100%
  • Alien 100%
  • Hum 100%
  • Odyssey 100%

• Diffusion

  Theadelaidean-Diffusion (Performer), 2021

  Research output: Non-textual form › Sound Composition

  Open Access

• Ghost Fugue

  Theadelaidean (Composer), 26 Jun 2021

  Research output: Non-textual form › Sound Composition

  Open Access

  • Experimental 100%
  • Names 100%
  • Fugue 100%

• Peal Fishing

  Theadelaidean (Composer), 1 Aug 2021

  Research output: Non-textual form › Sound Composition

  Open Access

  • Experimental 100%
  • Music 100%
  • Names 100%

• Resonance

  theAdelaidean (Composer), 21 Mar 2021

  Research output: Non-textual form › Sound Composition

  Open Access

  • Experimental 100%
  • Music 100%
  • Names 100%

• Sounds Like Rain

  theAdelaidean (Composer), 31 Aug 2021

  Research output: Non-textual form › Sound Composition

  Open Access

  • Life 100%
  • Music 100%
  • Sound 100%
  • Movement 50%
  • Truth 50%
• 2020

  Alive in the Hall of Possibilities

  Williams, T. (Composer), 18 Sept 2020

  Research output: Non-textual form › Sound Composition

  Open Access

  • venues 100%
  • Sound 100%
  • Challenges 50%
  • Adelaide 50%
  • intentions 50%

• Cinnabar Field

  Williams, T., 29 Feb 2020

  Research output: Non-textual form › Sound Composition

  Open Access

  • Collaborative 100%
  • Soundscape 100%
  • Experimental music 100%
  • Names 100%

• Invisible Assembly 2

  Williams, T. (Composer), 14 Dec 2020

  Research output: Non-textual form › Sound Composition

  Open Access

  • Invisible 100%
  • Collaborative 50%
  • Soundscape 50%
  • Experimental music 50%
  • Rehearsal 50%

• Isolation

  Williams, T. (Composer), 17 Jul 2020

  Research output: Non-textual form › Sound Composition

  Open Access

  • Source Material 100%
  • Experimental music 100%
  • Timbre 100%
  • Weave 100%
  • Names 100%

• Mach Ruhe

  theAdelaidean (Composer), 26 Oct 2020

  Research output: Non-textual form › Sound Composition

  • Sound 100%
  • Conflict 50%
  • Soundscape 50%
  • Proof 50%
  • Music 50%

• Nostalgiac

  theadelaidean (Composer), 2020

  Research output: Non-textual form › Sound Composition

  • Albums 100%
  • Experimental music 100%
  • Names 100%

• Oratunga Noir

  Theadelaidean​ (Composer), 2020

  Research output: Non-textual form › Sound Composition

  Open Access

  • Experimental music 100%
  • Names 100%

• under the bright Cuernavaca sky

  theAdelaidean (Composer) & Rosenthal, S. (Composer), 9 Oct 2020

  Research output: Non-textual form › Sound Composition

  Open Access

  • Experimental music 100%
  • Names 100%
• 2015

  Remembering the Manchester Institute for Popular Culture

  Brabazon, T. & Redhead, S., 15 Nov 2015

  Research output: Non-textual form › Sound Composition

  Open Access

  • Manchester 100%
  • Remembering 100%
  • Culture 100%
  • Contemporary 33%
  • History 33%
• 2013

  Thorough Bass and Human Nature: a Musical Tour through Pride and Prejudice

  Dooley, G., 17 Mar 2013

  Research output: Non-textual form › Sound Composition

  Open Access

  • Adelaide 100%
  • Human Nature 100%
  • Pride and Prejudice 100%
  • Music 50%
  • audio recordings 50%
• 2010

  (Post)Lecture?

  Brabazon, T., 31 Jan 2010

  Research output: Non-textual form › Sound Composition

  Open Access

  • Education 100%
  • Higher Education 100%

• Art of the Accident

  Brabazon, T. & Redhead, S., 31 Jan 2010

  Research output: Non-textual form › Sound Composition

  Open Access

  • Miconazole 100%

• Before the fight starts

  Brabazon, T., 31 Jan 2010

  Research output: Non-textual form › Sound Composition

  Open Access

  • Fighting 100%

• But can she reverse a trailer?

  Brabazon, T., 31 Jan 2010

  Research output: Non-textual form › Sound Composition

  Open Access

  • Woman 100%
  • Women 100%

• Cities and popular music

  Brabazon, T. & Redhead, S., 31 Jan 2010

  Research output: Non-textual form › Sound Composition

  Open Access

  • Popular 100%

• Creative industries after the crunch

  Brabazon, T. & Redhead, S., 31 Jan 2010

  Research output: Non-textual form › Sound Composition

  Open Access

  • Specific Industry 100%
  • Credit Rationing 50%

• Dust bowl democracy

  Brabazon, T., 31 Jan 2010

  Research output: Non-textual form › Sound Composition

  Open Access

  • Democracy 100%

• I am currently away from my computer

  Brabazon, T., 31 Jan 2010

  Research output: Non-textual form › Sound Composition

  Open Access

  • Computers 100%
  • Journalist 100%

• I am not a Geek. I am a Level Nine Warlord.

  Brabazon, T., 31 Jan 2010

  Research output: Non-textual form › Sound Composition

  Open Access

  • Perspective 100%
  • Digitization 100%
  • Warlord 100%

• Media Studies: The Return of the Jedi

  Brabazon, T., 31 Jan 2010

  Research output: Non-textual form › Sound Composition

  Open Access

  • Media Studies 100%
  • Students 50%
  • UK 50%

• Rhythm is a reader

  Brabazon, T., 31 Jan 2010

  Research output: Non-textual form › Sound Composition

  Open Access

• Some thoughts on media literacy

  Brabazon, T., 31 Jan 2010

  Research output: Non-textual form › Sound Composition

  Open Access

  • Media Education 100%
  • Media Literacy 100%
  • Students 50%
  • Studying 50%

• The best bookshop in the world

  Brabazon, T., 31 Jan 2010

  Research output: Non-textual form › Sound Composition

  Open Access

  • bookshop 100%
  • Event 50%
  • San Francisco 50%

• When excellence is not enough

  Brabazon, T., 31 Jan 2010

  Research output: Non-textual form › Sound Composition

  Open Access

  • Excellence 100%
  • Contemporary 33%
  • Words 33%

• Why they write

  Brabazon, T., 31 Jan 2010

  Research output: Non-textual form › Sound Composition

  Open Access

  • Student Year 100%
  • George Orwell 100%
  • Investigation 100%
• 2009

  Analogue Ways of Thinking

  Brabazon, T., 11 Oct 2009

  Research output: Non-textual form › Sound Composition

  Open Access

  • Digital Age 100%

• Architecture and popular culture

  Brabazon, T. & Redhead, S., 28 Nov 2009

  Research output: Non-textual form › Sound Composition

  Open Access

  • Mass Culture 100%
  • Architecture 100%