Abstract
This chapter addresses the challenge of seeing beyond the motif. Based on a case study in the Mid North of South Australia, this chapter presents a new analytical framework for analyzing style in rock art and using stylistic characteristics to identify authorship. The framework can be customized to different sites and/or regions to provide more nuanced understandings of specific contact trajectories. The results of this study suggest that innovation in contact rock art initially occurs in a single aspect of style and that a sequencing of innovations may be able to provide a temporal succession for contact motifs. The wider value of this framework is that it provides a basis for developing regional or site-specific models of style that may help researchers obtain greater insight into the authorship of contact rock art in different parts of the world.
| Original language | English |
|---|---|
| Title of host publication | The Oxford Handbook of the Archaeology and Anthropology of Rock Art |
| Editors | Bruno David, Ian J. McNiven |
| Place of Publication | New York, NY |
| Publisher | Oxford University Press |
| Chapter | 25 |
| Pages | 587-610 |
| Number of pages | 24 |
| ISBN (Electronic) | 9780190607364 |
| ISBN (Print) | 9780190607357 |
| DOIs | |
| Publication status | Published - 6 Nov 2017 |
Keywords
- contact
- rock art
- archaeological theory and method
- style
- Indigenous archaeology
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