A rare miniature and small-scale stencil assemblage from the Gulf of Carpentaria: replication and meaning in Australian rock art

Liam Brady, John Bradley, Amanda Kearney, Daryl Wesley

Research output: Contribution to journalArticlepeer-review

6 Citations (Scopus)

Abstract

Recent survey in the Gulf of Carpentaria region of northern Australia has identified a unique assemblage of miniature and small-scale stencilled motifs depicting anthropomorphs, material culture, macropod tracks and linear designs. The unusual sizes and shapes of these motifs raise questions about the types of material used for the stencil templates. Drawing on ethnographic data and experimental archaeology, the authors argue that the motifs were created with a previously undocumented stencilling technique using miniature models sculpted from beeswax. The results suggest that beeswax and other malleable and adhesive resins may have played a more significant role in creating stencilled motifs than previously thought.
Original languageEnglish
Pages (from-to)780-796
Number of pages17
JournalAntiquity
Volume94
Issue number375
DOIs
Publication statusPublished - 1 Jun 2020

Keywords

  • Australia
  • Gulf of Carpenteria
  • experimental archaeology
  • beeswax
  • rock art
  • stencils
  • gulf of Carpenteria

Fingerprint

Dive into the research topics of 'A rare miniature and small-scale stencil assemblage from the Gulf of Carpentaria: replication and meaning in Australian rock art'. Together they form a unique fingerprint.

Cite this