‘A shared commitment … not to be miserable’: a Posthuman Artists’ Laboratory to explore writing collaborative climate fiction

Rachel Hennessy, Alexander Cothren, Amy Matthews

Research output: Contribution to journalArticlepeer-review

Abstract

This paper continues ongoing research, by the three authors, into possible ways to write climate fiction, a subgenre of literature that focuses on depictions of climate change. Curious as to whether climate fiction has become fixed as a negative genre, most frequently mired in dystopian landscapes, we posited that writing fiction collaboratively might be one method to help us imagine a future in which we have agency and are not simply helpless victims of the inevitable. To explore this hypothesis, we ran a two-day Posthuman Artists’ Laboratory with six other professional writers, all based on Kaurna and Permangk country in Tartanya/Adelaide, Australia. In detailing the setup and findings of this experiment, the paper looks towards artistic practice that does not focus on the capitalist individual and details the thrill of collaboration. We propose that there is a strong (posthuman) argument for writers to abandon the desire to be identified as one singular being with a ‘unique’ voice and reimagine their creative subjectivities as a sticky web of connections.
Original languageEnglish
Pages (from-to)133-147
Number of pages15
JournalNew Writing: The International Journal For The Practice and Theory of Creative Writing
Volume21
Issue number2
Early online date12 Sept 2023
DOIs
Publication statusPublished - 2024

Keywords

  • climate fiction
  • author wellbeing
  • climate change
  • posthumanism
  • hope
  • collaboration
  • Artists' Laboratory
  • creative writing methodologies

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