Ancestral Forces in Contemporary Indigenous Australian Women's Art: 3 Case Studies of Multi-Dimensional Cultural Heritage Knowledge

Jenefer Marquis, Theodor Wyeld

    Research output: Contribution to conferencePaperpeer-review

    Abstract

    The transition from ephemeral, ceremonial art to more permanent acrylic-on-board paintings has made Australian Aboriginal art more accessible to the public than ever before. However, early examples contained secret/sacred motifs and stories - knowledge recorded in the paintings that was normally only made available to initiates. In turn, this prompted contemporary Australian Aboriginal artists to hide, camouflage or remove the sensitive material from their work. It is only recently, through inter-gender and inter-cultural collaborations between contemporary Indigenous Australian artists and non-indigenous ethnographers and anthropologists, that the full ramifications of this transition is becoming apparent. This paper discusses 3 case studies where the traditional expression of Kuruwarri, or Ancestral power, has been transformed through contemporary Australian Aboriginal women's art.

    Original languageEnglish
    Pages391-396
    Number of pages6
    DOIs
    Publication statusPublished - 24 Nov 2010
    EventInformation Visualisation -
    Duration: 26 Jul 2010 → …

    Conference

    ConferenceInformation Visualisation
    Period26/07/10 → …

    Keywords

    • Culture
    • Heritage
    • Knowledge
    • Secret/sacred

    Fingerprint

    Dive into the research topics of 'Ancestral Forces in Contemporary Indigenous Australian Women's Art: 3 Case Studies of Multi-Dimensional Cultural Heritage Knowledge'. Together they form a unique fingerprint.

    Cite this