Abstract
This chapter explores the various modes of “field” research utilised in Eurovision scholarship, from digital ethnography to on-site fieldwork. In particular, it interrogates the idea of what constitutes “on-site”, as well as the blurring of public/private boundaries in research, as a primary site for most Eurovision researchers is rarely the arena itself but a combination of both their own living rooms and social media spaces.
Original language | English |
---|---|
Title of host publication | The Eurovision Song Contest as a Cultural Phenomenon |
Subtitle of host publication | From Concert Halls to the Halls of Academia |
Editors | Adam Dubin, Dean Vuletic, Antonio Obregón |
Place of Publication | Oxon , United Kingdom |
Publisher | Taylor and Francis - Balkema |
Chapter | 16 |
Pages | 237-248 |
Number of pages | 12 |
ISBN (Electronic) | 978-1-003-18893-3 |
ISBN (Print) | 978-1-032-03774-5, 978-1-032-03775-2 |
DOIs | |
Publication status | Published - 2022 |
Externally published | Yes |
Keywords
- Eurovision Song Contest
- Popular culture
- Ethnography
- Eurovision scholarship