Skip to main navigation Skip to search Skip to main content

Art-led learning and Sandra Saunders’ history paintings

    Research output: Contribution to journalArticle

    Abstract

    Ngarrindjeri / Buandig artist Sandra Saunders is a long-standing intellectual and cultural warrior. In the 1990s, she was one of the leaders of the Kumarangk / Hindmarsh Island Bridge protests, standing alongside senior Ngarrindjeri women knowledge holders in opposition to the bridge’s construction on cultural grounds. The nearly decade-long struggle unfolded under intense media scrutiny and played out in a Royal Commission and subsequent court cases which amplified both the weight of opposition and the emotional toll on those involved. Out of this experience, Saunders created The Hindmarsh Island Collection (1996–2003) which featured in Dominic Guerrera’s essay “We Don’t Fabricate, We Weave: Kumarangk (Hindmarsh Island) and Ngarrindjeri women’s resistance” published in Artlink in 2021. Saunders’ first major (and ongoing) body of work, it is a project she describes as both cathartic and declarative: ‘a way to get rid of the pain’ and ‘a way to tell the story through my eyes’.
    Original languageEnglish
    Pages (from-to)56-59
    Number of pages4
    JournalArtlink Contemporary Art of Australia and the Asia- Pacific
    Volume45
    Issue number1
    Publication statusPublished - Apr 2025

    Keywords

    • Art-led learning
    • Australina
    • history paintings

    Fingerprint

    Dive into the research topics of 'Art-led learning and Sandra Saunders’ history paintings'. Together they form a unique fingerprint.

    Cite this