Claiming and Changing Boundaries: Indigenous theatre practitioners in the 2000s

Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

Abstract

This chapter examines the paths taken in the 2000s for Indigenous theatre work in
general and by individual artists furthering their artistic visions. Specifically, I focus
on the multi-award-winning practitioners David Milroy and Wesley Enoch and the
companies that they have led, as a way of tracing the developments and different
routes taken by Indigenous theatre and practitioners over the decade.
Original languageEnglish
Title of host publicationCatching Australian Theatre in the 2000s
EditorsRichard Fotheringham, James Smith
Place of PublicationAmsterdam
PublisherRodopi
Chapter4
Pages99-122
Number of pages24
Volume15
ISBN (Electronic)9789401210034
ISBN (Print)9789401210034
Publication statusPublished - 2013
Externally publishedYes

Keywords

  • Indigenous Theatre
  • 2000s
  • Artistic Visions

Fingerprint Dive into the research topics of 'Claiming and Changing Boundaries: Indigenous theatre practitioners in the 2000s'. Together they form a unique fingerprint.

Cite this