Abstract
This chapter examines the paths taken in the 2000s for Indigenous theatre work in
general and by individual artists furthering their artistic visions. Specifically, I focus
on the multi-award-winning practitioners David Milroy and Wesley Enoch and the
companies that they have led, as a way of tracing the developments and different
routes taken by Indigenous theatre and practitioners over the decade.
general and by individual artists furthering their artistic visions. Specifically, I focus
on the multi-award-winning practitioners David Milroy and Wesley Enoch and the
companies that they have led, as a way of tracing the developments and different
routes taken by Indigenous theatre and practitioners over the decade.
| Original language | English |
|---|---|
| Title of host publication | Catching Australian Theatre in the 2000s |
| Editors | Richard Fotheringham, James Smith |
| Place of Publication | Amsterdam |
| Publisher | Rodopi |
| Chapter | 4 |
| Pages | 99-122 |
| Number of pages | 24 |
| Volume | 15 |
| ISBN (Electronic) | 9789401210034 |
| ISBN (Print) | 9789401210034 |
| Publication status | Published - 2013 |
| Externally published | Yes |
Keywords
- Indigenous Theatre
- 2000s
- Artistic Visions