Abstract
The footed bullfight (corrida de toros or toreo) has been the subject of much research into gender in Spanish culture. In this chapter, I consider the impact of the horse on gendered cultural constructions by considering the form of bullfighting undertaken from horseback (corrida de rejones). I present a 'bio-aesthetic' analysis focused on the presentation and posturing (look and movement) of the bodies of male and female mounted bullfighters. Specifically, I consider the ways in which being astride a horse de-emphasises the biological sexual identity of the rider. I propose that the horse can be considered a liberator (by degrees) of biologically determined and culturally normalised expressions of gender. This chapter is based on 15 months of ethnographic fieldwork undertaken in Andalusia.
| Original language | English |
|---|---|
| Title of host publication | Gender and Equestrian Sport |
| Subtitle of host publication | Riding Around the World |
| Editors | Miriam Adelman, Jorge Knijnik |
| Publisher | Springer Netherlands |
| Pages | 127-147 |
| Number of pages | 21 |
| Volume | 9789400768246 |
| ISBN (Electronic) | 9789400768246 |
| ISBN (Print) | 9400768230, 9789400768239 |
| DOIs | |
| Publication status | Published - 1 Jan 2013 |
| Externally published | Yes |
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