Abstract
When most of the world went into lockdown in 2020 due to the Covid-19 pandemic, theatres closed and audiences were reconfigured. The so-called ‘pivot to online’ affected organisations and their audiences in different ways, with institutions that had already invested in digital transmission infrastructure and skills more able to take advantage of the pivot, commanding audiences if not always revenue. This Short asks how we understand, construct and value audiences in uncertain times.
| Original language | English |
|---|---|
| Title of host publication | Routledge Companion to Audiences and the Performing Arts |
| Editors | Matthew Reason, Lynne Conner, Katya Johanson, Ben Walmsley |
| Place of Publication | Abingdon, Oxon; New York, NY |
| Publisher | Routledge, Taylor & Francis |
| Chapter | 28 |
| Pages | 418-423 |
| Number of pages | 6 |
| ISBN (Electronic) | 9781003033226 |
| ISBN (Print) | 9780367470753, 9780367695842 |
| DOIs | |
| Publication status | Published - 2022 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 3 Good Health and Well-being
Keywords
- Covid-19
- pivot to online
- pandemic
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