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Abstract
This review of Amelia Walker’s Alogopoiesis is an interdisciplinary response, reflecting Walker’s own creative approach of employing both form and content. Creative nonfiction, critical thinking, and a mixed media artwork response to Alogopoiesis reflect the effects that reading it has had on me as a creative, as a researcher, and as a living being. It is a happy coincidence that I chose to open the book in a café on Mount Myoko in Japan, and, as I climbed through the pages, I discovered a multitude of connections to my many worlds. I began walking beside each protagonist, nodding, feeling, staying. The word alogopoiesis, made up from alogia and poiesis, is an apt portmanteau for this body of work. Alogopoiesis renders an unsilencing. A slow-rebuild, remaking, and sensing of gaps where the unspoken reside. This book sharpened my outlook. My in-look. Replacing my rose-coloured glasses with recognition as I sank into stories of mental distress, violence, abuse, heartbreak, and prejudice.
Original language | English |
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Pages (from-to) | 364-371 |
Number of pages | 8 |
Journal | Art/Research International A Transdisciplinary Journal |
Volume | 9 |
Issue number | 1 |
DOIs | |
Publication status | Published - 4 Sept 2024 |
Keywords
- book review
- poetry collections
- creative nonfiction
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Dive into the research topics of 'Creative Review of Amelia Walker's Alogopoiesis'. Together they form a unique fingerprint.Activities
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Making Sense: mixed media cover art for Art/Research International (9)1, 2024.
Rhodes, K. (Participant)
4 Sept 2024Activity: Other activity types › Converted from Research Output