Fatalmente tua: Garrone, il noir e le donne

Luciana d'Arcangeli

Fatalmente tua: Garrone, il noir e le donne

Translated title of the contribution: Fatally yours: Garrone, noir and women

Luciana d'Arcangeli

College of Humanities, Arts and Social Sciences

Research output: Contribution to journal › Article › peer-review

Abstract

The women characters in Matteo Garrone’s noir films, even though they occupy a liminal, marginalised role, seem to be a fair reflection of their times, if not of their cinematographic canon. Mary Wood, in her book Italian Cinema (2005), opens the chapter on “Gender Representations and Gender Politics” with the statement that “fictional female bodies do not seem to be able to represent political or social power”. This article examines two women characters in Garrone’s noirs to understand what kind of political and/or
social power they may have.

Translated title of the contribution	Fatally yours: Garrone, noir and women
Original language	Italian
Pages (from-to)	15-26
Number of pages	12
Journal	Flinders University Languages Group On-Line Review
Volume	5
Issue number	3
Publication status	Published - Jun 2018

UN SDGs

This output contributes to the following UN Sustainable Development Goals (SDGs)

SDG 5 Gender Equality

Keywords

Matteo Garrone
Gender representation
Noir films

Access to Document

https://www.fulgor.online/_files/ugd/7fbb78_9bc4b3ecaf8a4d6d8583a38d6fc8106d.pdfLicence: In Copyright

Cite this

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title = "Fatalmente tua: Garrone, il noir e le donne",

abstract = "The women characters in Matteo Garrone{\textquoteright}s noir films, even though they occupy a liminal, marginalised role, seem to be a fair reflection of their times, if not of their cinematographic canon. Mary Wood, in her book Italian Cinema (2005), opens the chapter on “Gender Representations and Gender Politics” with the statement that “fictional female bodies do not seem to be able to represent political or social power”. This article examines two women characters in Garrone{\textquoteright}s noirs to understand what kind of political and/or social power they may have.",

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AB - The women characters in Matteo Garrone’s noir films, even though they occupy a liminal, marginalised role, seem to be a fair reflection of their times, if not of their cinematographic canon. Mary Wood, in her book Italian Cinema (2005), opens the chapter on “Gender Representations and Gender Politics” with the statement that “fictional female bodies do not seem to be able to represent political or social power”. This article examines two women characters in Garrone’s noirs to understand what kind of political and/or social power they may have.

KW - Matteo Garrone

KW - Gender representation

KW - Noir films

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IS - 3

ER -

Fatalmente tua: Garrone, il noir e le donne

Abstract

UN SDGs

Keywords

Access to Document

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