Abstract
A week prior to 2021's Alexander Ball, I attended an open training held by the House of Alexander. The House had held public throw-downs intended to introduce newcomers to Vogue Ballroom culture across that year, all of which I walked in, often in multiple categories. They had not yet, at least since I had joined the scene in January of that year, opened a House training to non-members. As such, I jumped at the opportunity to attend. I washed my hair, applied my eyeliner with a seemingly newfound precision. When I arrived, I changed into a pair of cut-off denim shorts, black thigh-high boots, and a cropped long-sleeved shirt so transformed my entire chest became visible at the mere thought of raising my arms above shoulder height. I was there to serve on every front possible.
Original language | English |
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Pages (from-to) | 131-154 |
Number of pages | 24 |
Journal | Australasian Drama Studies |
Volume | 2023-October |
Issue number | 83 |
Publication status | Published - Oct 2023 |
Keywords
- vogue ballroom
- vogue femme
- queer subculture
- transgender women
- queer politics
- dance