Abstract
Set a century ago at the tail end of Australia’s frontier wars, Stephen Maxwell Johnson’s feature presents a narrative of massacre, resistance and revenge centred on the relationship between a morally conflicted white bounty hunter and a mission-raised Aboriginal tracker. Drawing heavily on its Arnhem Land locations and filled with striking imagery,
| Original language | English |
|---|---|
| Pages (from-to) | 4-11 |
| Number of pages | 7 |
| Journal | Metro |
| Issue number | 207 |
| Publication status | Published - 2021 |
Keywords
- Stephen Maxwell Johnson
- High Ground
- Frontier wars
- Australian frontier wars
- Aboriginal trackers
- Indigenous trackers
- Arnhem Land
- Yolngu Boy
- Berlin International Film Festival 2020