Abstract
The 2011 reality television series Go Back to Where You Came From used established narrative modes of stunt memoir, testimony, and conversion to start a public conversation about Australia's recent treatment of asylum seekers. This essay explores both the cultural possibilities and the pitfalls of the series' textually-hybrid approach.
Original language | English |
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Pages (from-to) | 124-147 |
Number of pages | 24 |
Journal | Biography-An Interdisciplinary Quarterly |
Volume | 36 |
Issue number | 1 |
DOIs | |
Publication status | Published - Dec 2013 |