Indigenous Art Centres that sustain remote communities are at risk: The VET sector can help

Pi-Shen Seet; Janice Jones; Tim Acker

Indigenous Art Centres that sustain remote communities are at risk: The VET sector can help

Pi-Shen Seet, Janice Jones, Tim Acker

College of Business, Government and Law

Research output: Contribution to specialist publication › Article

1 Downloads (Pure)

Abstract

Among the many touching gifts following the March 2019 shootings in Christchurch, New Zealand, were two paintings by artists from South Australia’s remote Anangu Pitjantjatjara Yankunytjatjara (APY) Lands.

The paintings showed a honey grevillea shrub, a native Australian plant that produces long spikes of striking yellow and green flowers in winter. These canvasses depicted the sorrow of a people separated by sea and culture, but united in humanity.

Original language	English
Specialist publication	The Conversation
Publication status	Published - 5 Aug 2019

Bibliographical note

Published under a Creative Commons — Attribution/No derivatives license

Access to Document

Published verionFinal published version, 803 KBLicence: Other

http://theconversation.com/indigenous-art-centres-that-sustain-remote-communities-are-at-risk-the-vet-sector-can-help-121179Licence: Other

Fingerprint Dive into the research topics of 'Indigenous Art Centres that sustain remote communities are at risk: The VET sector can help'. Together they form a unique fingerprint.

Cite this

@misc{4535dfc37c8c471eb6f9999ae1d04c95,

title = "Indigenous Art Centres that sustain remote communities are at risk: The VET sector can help",

abstract = "Among the many touching gifts following the March 2019 shootings in Christchurch, New Zealand, were two paintings by artists from South Australia{\textquoteright}s remote Anangu Pitjantjatjara Yankunytjatjara (APY) Lands.The paintings showed a honey grevillea shrub, a native Australian plant that produces long spikes of striking yellow and green flowers in winter. These canvasses depicted the sorrow of a people separated by sea and culture, but united in humanity.",

author = "Pi-Shen Seet and Janice Jones and Tim Acker",

note = "Published under a Creative Commons — Attribution/No derivatives license",

year = "2019",

month = aug,

day = "5",

language = "English",

journal = "The Conversation",

issn = "2201-5639",

}

TY - GEN

T1 - Indigenous Art Centres that sustain remote communities are at risk

T2 - The VET sector can help

AU - Seet, Pi-Shen

AU - Jones, Janice

AU - Acker, Tim

N1 - Published under a Creative Commons — Attribution/No derivatives license

PY - 2019/8/5

Y1 - 2019/8/5

N2 - Among the many touching gifts following the March 2019 shootings in Christchurch, New Zealand, were two paintings by artists from South Australia’s remote Anangu Pitjantjatjara Yankunytjatjara (APY) Lands.The paintings showed a honey grevillea shrub, a native Australian plant that produces long spikes of striking yellow and green flowers in winter. These canvasses depicted the sorrow of a people separated by sea and culture, but united in humanity.

AB - Among the many touching gifts following the March 2019 shootings in Christchurch, New Zealand, were two paintings by artists from South Australia’s remote Anangu Pitjantjatjara Yankunytjatjara (APY) Lands.The paintings showed a honey grevillea shrub, a native Australian plant that produces long spikes of striking yellow and green flowers in winter. These canvasses depicted the sorrow of a people separated by sea and culture, but united in humanity.

M3 - Article

JO - The Conversation

JF - The Conversation

SN - 2201-5639

ER -