Abstract
Rosina Possingham is an artist based on Kaurna land in Adelaide, South Australia, with a practice that includes photography, printmaking, graphic design, and increasingly scanning and mixed reality installations. In 2021, Rosina undertook a short artist residency with Assemblage Centre for Creative Arts at Flinders University, focusing on a project in The Void, the virtual production studio. This interview explores Rosina’s practice before, during, and after the residency in the production of a virtual and augmented reality adaptation of the play Herding Caterpillars.
| Original language | English |
|---|---|
| Title of host publication | Beyond Virtual Production |
| Subtitle of host publication | Integrating Production Technologies |
| Editors | Tully Barnett, Jason Bevan, Cameron Mackness, Zoë Wallin |
| Place of Publication | Oxon, UK |
| Publisher | Taylor and Francis - Balkema |
| Chapter | 9 |
| Pages | 111-120 |
| Number of pages | 10 |
| ISBN (Electronic) | 9781040230466, 9781003449492 |
| ISBN (Print) | 9781032582931, 9781032582924 |
| DOIs | |
| Publication status | Published - 2025 |
Keywords
- virtual production
- augmented reality
- mixed reality installations
- Possingham, Rosina