Meryl Tankard revisits Two Feet, the tragic story of a dancer’s perfectionism

William Peterson

Meryl Tankard revisits Two Feet, the tragic story of a dancer’s perfectionism

William Peterson

College of Humanities, Arts and Social Sciences

Research output: Contribution to specialist publication › Article

61 Downloads (Pure)

Abstract

When Two Feet premiered in 1988, Tankard herself played one of the early 20th century’s greatest ballerinas, Russian Olga Spessivtzeva. She has recreated the work for one of the most brilliant ballet dancers of the current generation, Russian Natalia Osipova.

Original language	English
Number of pages	1
Specialist publication	The Conversation
Publisher	The Conversation
Publication status	Published - 5 Mar 2019

Bibliographical note

CC BY ND
We believe in the free flow of information
Republish our articles for free, online or in print, under Creative Commons licence.

Keywords

Adelaide Festival of Arts
Performance review
Two Feet
Tankard, Meryl

Access to Document

Petersen_Meryl_P2019Final published version, 562 KBLicence: CC BY-ND

https://theconversation.com/meryl-tankard-revisits-two-feet-the-tragic-story-of-a-dancers-perfectionism-112947Licence: CC BY-ND

Cite this

@misc{9d04c474fee14d7d8d18c0d74082fd8b,

title = "Meryl Tankard revisits Two Feet, the tragic story of a dancer{\textquoteright}s perfectionism",

abstract = "When Two Feet premiered in 1988, Tankard herself played one of the early 20th century{\textquoteright}s greatest ballerinas, Russian Olga Spessivtzeva. She has recreated the work for one of the most brilliant ballet dancers of the current generation, Russian Natalia Osipova. ",

keywords = "Adelaide Festival of Arts, Performance review, Two Feet, Tankard, Meryl",

author = "William Peterson",

note = "CC BY ND We believe in the free flow of information Republish our articles for free, online or in print, under Creative Commons licence.",

year = "2019",

month = mar,

day = "5",

language = "English",

journal = "The Conversation",

issn = "2201-5639",

publisher = "The Conversation",

}

TY - GEN

T1 - Meryl Tankard revisits Two Feet, the tragic story of a dancer’s perfectionism

AU - Peterson, William

N1 - CC BY ND We believe in the free flow of information Republish our articles for free, online or in print, under Creative Commons licence.

PY - 2019/3/5

Y1 - 2019/3/5

N2 - When Two Feet premiered in 1988, Tankard herself played one of the early 20th century’s greatest ballerinas, Russian Olga Spessivtzeva. She has recreated the work for one of the most brilliant ballet dancers of the current generation, Russian Natalia Osipova.

AB - When Two Feet premiered in 1988, Tankard herself played one of the early 20th century’s greatest ballerinas, Russian Olga Spessivtzeva. She has recreated the work for one of the most brilliant ballet dancers of the current generation, Russian Natalia Osipova.

KW - Adelaide Festival of Arts

KW - Performance review

KW - Two Feet

KW - Tankard, Meryl

M3 - Article

SN - 2201-5639

JO - The Conversation

JF - The Conversation

PB - The Conversation

ER -

Meryl Tankard revisits Two Feet, the tragic story of a dancer’s perfectionism

Abstract

Bibliographical note

Keywords

Access to Document

Fingerprint

Cite this