Abstract
The following interview was carried out over email in 2022. Each of the editors took a particular focus, with Cheng focussing on how we can read Perform or Else now in 2022, Hay asking about the “queer potential to disrupt the performative imperative,” and Willis taking up McKenzie’s more recent work with StudioLab.
| Original language | English |
|---|---|
| Pages (from-to) | 122-144 |
| Number of pages | 23 |
| Journal | Performance Paradigm |
| Volume | 17 |
| Publication status | Published - 2022 |
Keywords
- Theatre
- Performance imperative
- performatives