TY - JOUR
T1 - Narrating women workers’ perceptions of sexism and change in the Australian screen postproduction sector before and after #MeToo
AU - Dooley, Kath
AU - Erhart, Julia
PY - 2021/10/3
Y1 - 2021/10/3
N2 - This article interrogates the localized experiences of present-day workers who identify as women in Australian postproduction sectors, including editing, visual effects (VFX), and animation, exploring sexism and perceptions of change in the age of #MeToo. Considering the significant numbers of women working in these sectors, and the scant research into their experiences undertaken in an Australian context, the authors conducted semi-structured interviews with ten women in various roles and in various geographical locations in Australia. This qualitative approach to data collection aims to explore inequalities that may not be captured in industry surveys, providing fine-grain details of the ways that individuals in postproduction experience sexism. The resulting data suggests that while there is continuity between the gendered experiences of these workers and that of women in industry sectors that have already been documented, there are, however, new observations about changes in workplace behavior in the sector, brought about by growing public awareness of industry discrimination and harassment and of shifts in Australian industry policy. The authors isolated recurring themes within women’s gendered experiences in relation to how they perceived the impact of the gender-equity initiatives on the attitudes of their co-workers, their workplace opportunities, and their experiences as workers.
AB - This article interrogates the localized experiences of present-day workers who identify as women in Australian postproduction sectors, including editing, visual effects (VFX), and animation, exploring sexism and perceptions of change in the age of #MeToo. Considering the significant numbers of women working in these sectors, and the scant research into their experiences undertaken in an Australian context, the authors conducted semi-structured interviews with ten women in various roles and in various geographical locations in Australia. This qualitative approach to data collection aims to explore inequalities that may not be captured in industry surveys, providing fine-grain details of the ways that individuals in postproduction experience sexism. The resulting data suggests that while there is continuity between the gendered experiences of these workers and that of women in industry sectors that have already been documented, there are, however, new observations about changes in workplace behavior in the sector, brought about by growing public awareness of industry discrimination and harassment and of shifts in Australian industry policy. The authors isolated recurring themes within women’s gendered experiences in relation to how they perceived the impact of the gender-equity initiatives on the attitudes of their co-workers, their workplace opportunities, and their experiences as workers.
KW - Postproduction; sexism; film industry; #MeToo; working conditions
U2 - 10.1080/14680777.2021.1986734
DO - 10.1080/14680777.2021.1986734
M3 - Article
JO - Feminist Media Studies
JF - Feminist Media Studies
SN - 1468-0777
ER -