This paper analyses the memoirs of Australian writer Alice Pung in the contexts of her suburban Melbourne upbringing, her parents’ status as refugees, and Cambodia’s Pol Pot period. The author discusses the changed way Pung deals with the Pol Pot period from Unpolished Gem (2006) to Her Father’s Daughter (2011), and in particular the necessary disjointedness that is a consequence of the latter memoir’s more direct and deep focus on Pung’s father’s experiences during the Pol Pot period. The author concludes by locating Pung’s works, particularly Her Father’s Daughter, among various other memoirs of the Pol Pot period, including poet U Sam Oeur’s memoir, Crossing Three Wildernesses (2005). Placed among other memoirs of survival and loss, the author suggests, Pung brings a distinctive perspective as the child of a survivor of the Pol Pot period.
- Khmer Rouge