The signature dances of the mountain-dwelling indigenous people of the Cordillera region in the Philippines circulate nationally and internationally as emblematic of Filipino culture, even as the diverse cultures of origin have been increasingly subjected to economic, political, and cultural domination by Tagalog-speaking lowlanders. Through an examination of how dance is situated on its home ground in and around the region's largest city, Baguio, this article demonstrates how indigenous dance based on traditional forms serves a range of masters and a variety of functions, while ultimately providing a space for indigenous people to reclaim, rediscover, and celebrate their culture.
|Number of pages||23|
|Journal||ASIAN THEATRE JOURNAL|
|Publication status||Published - Sep 2010|