Abstract
The Western writing craft workshop has been dominated by a narrow conception of reading as a writer. An overview of Creative Writing as a discipline in Australia and China suggests that a broader conception of reading as a writer would enrich teaching in both the Anglophone countries and Asia while it improves expression and enhances cultural understanding. A comparison of courses that focus on nonfiction at Flinders University in Australia and Sun Yat-sen University in China demonstrates how reading that takes into account a variety of subject aims and outcomes and reflects diverse cultural experiences can benefit native speakers, those who come from non-English speaking backgrounds and second-language learners. Sharing strategies to facilitate language learning and craft knowledge will improve expression and broaden cultural perspectives. In addition, the teaching of nonfiction, which must be pursued at a critical, craft and ethical level, highlights the social responsibility not only of professional writers who are studied but of apprentice writers as they work towards critical and creative competence.
Original language | English |
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Pages (from-to) | 77-91 |
Number of pages | 15 |
Journal | New Writing: The International Journal For The Practice and Theory of Creative Writing |
Volume | 11 |
Issue number | 1 |
DOIs | |
Publication status | Published - 2 Jan 2014 |
Keywords
- craft knowledge
- creative writing workshop
- non-English speaking backgrounds
- nonfiction
- reading as a writer
- second-language learners