Abstract
This article presents a history of Robbie Williams. However, the meaning of that word — history — does not convey a seamless narrative of linear, normalizing truths of a great man. Instead, the recent past is fractured, severed and then quilted. Four keypads of culture are pressed. First, an exploration of boy bands is enacted, followed by a survey of masculinity theory, Generation X and dance culture. These four snatches of myth and memory are summoned to offer an innovative trajectory through an un(der) written history of the pop present.
| Original language | English |
|---|---|
| Pages (from-to) | 45-66 |
| Number of pages | 22 |
| Journal | International Journal of Cultural Studies |
| Volume | 5 |
| Issue number | 1 |
| DOIs | |
| Publication status | Published - 1 Jan 2002 |
| Externally published | Yes |
Keywords
- boy bands
- dance culture
- Generation X
- men's studies
- Robbie Williams
- Take That