Saltfish: Ecologies of Creative Processes

Stephen Muecke; Jennifer Eadie; Alessandro Antonello; Tully Barnett; Jana Norman; Amy Matthews; Stephen  Zagala

Saltfish: Ecologies of Creative Processes

Stephen Muecke, Jennifer Eadie, Alessandro Antonello, Tully Barnett, Jana Norman, Amy Matthews, Stephen Zagala

College of Humanities, Arts and Social Sciences

Research output: Contribution to journal › Article › peer-review

Abstract

Inspired by the award-winning short film, How to Make Saltfish (2021), by Paul Bell and Stephen Pigram, the Posthumanities research group at Flinders University in Adelaide got to work writing this essay, collectively, more-than-humanly. Among other possibilities, the posthumanities puts bets on a couple of things: that it is better to work as a group, debating ideas, and that it is better to take our working environment into account.

Original language	English
Number of pages	14
Journal	Sydney Review of Books
Publication status	Published - 11 Apr 2022

Keywords

Stephen Pigram
Saltfish
Posthumanism
Creativity
Creative Process
Creative Ecology
Collaboration

Access to Document

https://sydneyreviewofbooks.com/essay/saltfish-ecologies-of-creative-processes/Licence: In Copyright

1 Organising a conference, workshop, ...

Posthuman Artists Laboratory 2
Matthews, A. (Participant) & Cothren, A. (Participant)
29 May 2023
Activity: Participating in or organising an event types › Organising a conference, workshop, ...

1 Chapter

Nine methodological principles for the posthumanities
Muecke, S., Antonello, A., Barnett, T., Matthews, A. T. & Zagala, S., 2023, The Routledge International Handbook of More-than-Human Studies. Franklin, A. (ed.). Oxon, UK.: Taylor and Francis - Balkema, p. 361-375 15 p.
Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
2 Citations (Scopus)

Cite this

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title = "Saltfish: Ecologies of Creative Processes",

abstract = "Inspired by the award-winning short film, How to Make Saltfish (2021), by Paul Bell and Stephen Pigram, the Posthumanities research group at Flinders University in Adelaide got to work writing this essay, collectively, more-than-humanly. Among other possibilities, the posthumanities puts bets on a couple of things: that it is better to work as a group, debating ideas, and that it is better to take our working environment into account. ",

keywords = "Stephen Pigram, Saltfish, Posthumanism, Creativity, Creative Process, Creative Ecology, Collaboration",

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issn = "2201-8735",

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AU - Matthews, Amy

AU - Zagala, Stephen

PY - 2022/4/11

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N2 - Inspired by the award-winning short film, How to Make Saltfish (2021), by Paul Bell and Stephen Pigram, the Posthumanities research group at Flinders University in Adelaide got to work writing this essay, collectively, more-than-humanly. Among other possibilities, the posthumanities puts bets on a couple of things: that it is better to work as a group, debating ideas, and that it is better to take our working environment into account.

AB - Inspired by the award-winning short film, How to Make Saltfish (2021), by Paul Bell and Stephen Pigram, the Posthumanities research group at Flinders University in Adelaide got to work writing this essay, collectively, more-than-humanly. Among other possibilities, the posthumanities puts bets on a couple of things: that it is better to work as a group, debating ideas, and that it is better to take our working environment into account.

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KW - Posthumanism

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KW - Creative Ecology

KW - Collaboration

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JO - Sydney Review of Books

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ER -

Saltfish: Ecologies of Creative Processes

Abstract

Keywords

Access to Document

Fingerprint

Activities

Posthuman Artists Laboratory 2

Research output

Nine methodological principles for the posthumanities

Cite this