Abstract
Blister is a verbatim play that tells the story of Rosie, an Australian woman, who is walking the Camino de Santiago. The Camino is an 800km pilgrimage across Northern Spain that begins in the French Pyrenees and traverses mountains, vineyard covered hills, mesetas (plateaus) and urban centres before concluding at Santiago de Compostela. 200,000 people from across the world walk the Camino every year, often carrying their minimal belongings in a backpack, staying in dormitory-style accommodation with fellow pilgrims in local albergues, and walking between 20-35kms most days. This short essay describes how walking methods merged with the situated, relational and material verbatim theatre practice of community immersion in order to experience and represent the public pedagogy of the Camino in performance. Informed by a feminist position and engaging with theatrical conventions inspired by queer theory, excerpts of Blister are incorporated across the essay to demonstrate how theatre as a live and embodied medium provides a multi-dimensional platform to depict the motion, emotion and learning experienced by pilgrims walking the Camino.
Original language | English |
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Pages (from-to) | 74 |
Number of pages | 81 |
Journal | Journal of Public Pedagogies |
Issue number | 4 |
DOIs | |
Publication status | Published - Nov 2019 |
Bibliographical note
This work is licensed under a Creative Commons Attribution-NonCommercial License. In short, copyright for articles published in this journal is retained by the authors, with first publication rights granted to the journal. By virtue of their appearance in this open access journal, articles are free to use, with proper attribution, in educational and other non-commercial settings. This is an Open Access Journal, and provides free, online, open access to its content on the principle that making research freely available to the public supports a greater global exchange of knowledge.Keywords
- Camino
- verbatim theatre
- dramaturgy
- pilgrimage