The Plainsman (1937): Cecil B Demille's Greatest Authenticity Lapse?

Anton Kozlovic

Research output: Contribution to journal › Article › peer-review

Original language	English
Pages (from-to)	73-86
Number of pages	14
Journal	Kinema: A Journal for film and audiovisual media
Volume	19
Issue number	Spring
Publication status	Published - 2003

Cite this

@article{a7717db24d5d4ff3817dbd75de44754d,

title = "The Plainsman (1937): Cecil B Demille's Greatest Authenticity Lapse?",

author = "Anton Kozlovic",

year = "2003",

language = "English",

volume = "19",

pages = "73--86",

journal = "Kinema: A Journal for film and audiovisual media",

issn = "1192-6252",

publisher = "UNIVERSITY OF WATERLOO",

number = "Spring",

}