Three Moments of Cinema Exhibition

Dylan Walker , Richard Maltby, Mike Walsh

Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

Abstract

On the face of things, cinema exhibition seems to be completely transformed in the age of the multiplex. Where first-run exhibition once centered in downtown areas, it has now been evacuated to shipping malls on the urban fringes. Films that once played out over months are now gone in a scant few weeks to be released with greater speed on more lucrative platforms. Recent estimates suggest that cinema box office now makes up less than a quarter of a film's total revenues (Ulin, 2010: 161). It is easy to see how exhibition has changed. If, however, we ask questions about the ways in which exhibition has remained the same over an extended period, the answers may reveal the explanatory power of those aspects of exhibition practice that have to do with place: patterns of urban geography, the impact of transport systems, and the effects of cinema clustering.
Original languageEnglish
Title of host publicationThe Routledge Companion to New Cinema History
EditorsDaniel Biltereyst, Richard Maltby , Philippe Meers
Place of PublicationNew York
PublisherRoutledge, Taylor & Francis
Chapter17
Pages217-231
Number of pages15
ISBN (Electronic)9781315666051
ISBN (Print)9781138955844
Publication statusPublished - 2019

Keywords

  • Cinema
  • Exhibition
  • South Australia

Fingerprint

Dive into the research topics of 'Three Moments of Cinema Exhibition'. Together they form a unique fingerprint.

Cite this