With Grand Finale, audiences bear witness to a world on the edge

Research output: Contribution to specialist publicationArticle

Abstract

Grand Finale employs the movement vocabulary that audiences have come to associate with Israeli-born, London-based contemporary dance choreographer Hofesh Shechter. Dancers swirl, whirl, jump in place and move like human percussion machines across all dance styles. When the dancers are in motion, all is fluid and there is no rest. Everything and anything could happen. Nothing can be predicted.
Original languageEnglish
Specialist publicationThe Conversation
PublisherThe Conversation
Publication statusPublished - 18 Mar 2019

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Keywords

  • Adelaide Festival of Arts
  • Performance review
  • Grand Finale
  • Shechter, Hofesh

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