Abstract
The rich historical drama The Grandmaster consolidates Wong Kar Wai's status as Hong Kong cinema's pre-eminent global export. At the same time, the film and its various renditions recast his oeuvre's concerns in a new light and are illustrative of increasing transnational relationships in cinema, writes Nicholas Godfrey.
| Original language | English |
|---|---|
| Pages (from-to) | 64-68 |
| Number of pages | 5 |
| Journal | Metro |
| Issue number | 183 |
| Publication status | Published - Jan 2015 |
Keywords
- Movie Directors – Works
- Movie Directors – Criticism and Interpretation
- Wai, Wong Kar